Our people are invaluable to our success. Their skills, knowledge and expertise help provide the inspiration, vision, creativity and motivation that gives life to everything we do.
Arts Centre Melbourne prides itself on being an organisation that fully recognises, acknowledges and values the vital contribution our teams make to our success.
Our culture statement, The Role You Play, outlines our purpose, vision, priorities and values, while setting expectations we have of each other and across the team.
The Role You Play is a shared language to which we hold ourselves accountable, and is based on the values of leadership, community, caring more and creativity.
The Victorian Arts Centre Trust (the "Trust"), trading as "Arts Centre Melbourne", is a Victorian Government statutory authority. The Trust's core purpose is to enrich the lives of Victorians – culturally, educationally, socially and economically, making a leading contribution to the Victorian creative and visitor economies. Our Trustees are appointed by the Governor in Council on the recommendation of the Minister for the Creative Industries. The functions of the Trust are outlined in s.5(1) of the Victorian Arts Centre Act 1979.
Originally a chartered accountant, James MacKenzie has extensive experience in the private and public sectors with roles across ANZ, Norwich Union, Mirvac Group and Pacific Brands. He has also held a number of public sector roles in Victoria including at the Transport Accident Commission and the Victorian Major Events Company. James has been a regular visitor to Arts Centre Melbourne over the years.
Frankie Airey has a long and distinguished career in development and philanthropy in both the UK and Australia commencing with a hugely successful stint in the university sector including at Oxford University and the University of London. In the 1990s, she moved to Australia and was Director of Development at Arts Centre Melbourne from 1994-1997. Over the years Frankie has established an in-depth knowledge of the philanthropic sector and a track record of achievement in senior positions and consultancy. She founded boutique consulting firm Philanthropy Squared in 2003, and she and her team have worked with more than 140 non-profit organisations, including 45 art and cultural institutions. Frankie has served on the Boards of the Malthouse Theatre in Melbourne and Sadler’s Wells in London, and is currently Chair of the Betty Amsden Foundation.
Paul Barker is a financial services professional with extensive experience at both board and executive level in Australia and overseas. He is currently the Chairman of WorkSafe Victoria and a Non-Executive Director of Cricket Victoria. He has held board and committee appointments with the Transport Accident Commission, Victorian WorkCover Authority, Mirvac Funds Management Ltd and Stadium Operations Ltd (Etihad Stadium).
Warwick Bray's career encompasses industry, investment banking and consulting in Australia and globally. Warwick's previous roles include Chief Financial Officer at Telstra, Group Managing Director responsible for the mobile business at Telstra, Managing Director and Head of Global Telecommunications Equity Research at JPMorgan (London) and Dresdner Kleinwort Wasserstein (London) and Partner at McKinsey and Co London. Warwick has served on the boards of CSL (Hong Kong mobile business), Foxtel (where he was Chairman of the Audit and Risk Committee) the Australian Mobile Telecommunications Association. (as Chairman) and was a member of the Strategy Committee of the GSMA (the global association of mobile phone companies).
Catherine McClements graduated from the National Institute of Dramatic Art in 1985. She has had a successful and award-winning career in Australian film, television and theatre and received AFI awards for her work in The Secret Life of Us, Tangle and Rush along with Helpmann Award nominations for her work with theatre companies around the country.
Catherine was WorkSafe Health and Safety Month Ambassador in 2017, and is a member of the Arts Wellbeing Collective Advisory Group.
Andrew Myer pursues a variety of business interests through the A V Myer Group of Companies, including property development, investment, film and philanthropy. He has been a director of The Myer Family Investments since 2013, a Trustee of The Sidney Myer Fund, and was a Vice President of The Myer Foundation from 1999 to 2003.
Andrew’s appointments in the arts include 16 years with the board of the Melbourne International Film Festival, including a term as Chair. In 2017 Andrew was appointed Chair of the Arts Centre Melbourne Foundation, and in the same year became a director of Documentary Australia Foundation. Andrew also joined the board of the Malthouse Theatre in February 2018. As a producer and executive producer, Andrew’s cinema credits include the Australian feature films Radiance, Balibo, Paper Planes, Last Cab to Darwin and the telemovie Dangerous Remedy for the ABC.
Ian Roberts is the Executive Chair of the Annamila Foundation. He is also a freelance writer specialising in speeches and editing for daily press. Previously Ian has served as the Chief Executive Officer of the Harold Mitchell Foundation, General Manager of the Melbourne Festival, and General Manager of the Geelong Performing Arts Centre. Ian also spent six months as the Interim CEO of Arts Centre Melbourne in 2014.
Ian’s board appointments have included terms as Chair of the Victorian Australia Day Committee, as Deputy Chair of the Melbourne International Film Festival, and as Deputy Chair of the Australian Centre for Contemporary Art. Ian has also served as a member of the Major Performing Arts Board of the Australia Council for the Arts.
Dr Nora Scheinkestel is an experienced company director, having served for more than 20 years as a non-executive chairman and director of companies in a wide range of industry sectors and in the public, government and private spheres. Nora is currently Chairperson of Atlas Arteria Ltd and a director of its stapled entity, Atlas Arteria International Ltd. Nora is also a director of Telstra Corporation Ltd, Ausnet Services Ltd and OceanaGold Corporation, and an Associate Professor at the Melbourne Business School.
Helen Silver is Chief General Manager of Allianz Australia. She has held senior positions in both the Victorian and Commonwealth public services and the private sector. Helen served as Secretary of the Department of Premier and Cabinet in Victoria from 2008 to 2013. She is a National Fellow of the Institute of Public Administration Australia, a Director of the Melbourne Symphony Orchestra and a member of the Judicial Commission of Victoria.
Claire Spencer is CEO of Australia’s largest and busiest performing arts centre, Arts Centre Melbourne, a role she has held since November 2014.
Since that time she has steered the organisation through a major restructure to better position the organisation for the future and to assist with its key role as a leader in the cultural precinct and a major contributor to Victoria’s creative economy. Key projects have included: the launch of the ground-breaking Asia-Pacific Triennial of Performing Arts (Asia TOPA), delivered in collaboration with more than 30 Victorian organisations from across the cultural sector; the development of the Australian Music Vault; and the establishment of the Arts Wellbeing Collective, which promotes strong individual wellbeing for those who work in the arts sector.
Claire is leading a major redevelopment of Arts Centre Melbourne, including refurbishment of the Theatres Building and the addition of a new campus featuring workshop, studio and education spaces, an expanded Australian Music Vault gallery, and a major new gallery celebrating Australia’s performing arts history. The project is the centrepiece of a $1 billion transformation of the Melbourne Arts Precinct announced by the Victorian Government in June 2018.
Claire is a Member of Chief Executive Women – the pre-eminent organisation representing Australia’s most senior women leaders from the corporate, public service, academic and not-for-profit sectors; she is on the board of The Pinnacle Foundation, established to provide scholarships and mentoring support to lesbian, gay, bisexual, trans, queer and intersex students who are marginalised or disadvantaged; and is also a member of the Australian Government’s Australia–Singapore Arts Group.
Claire is married with three children.
As Chief Operating Officer, Deirdre leads our Operations team, which includes Finance, IT, Facilities Management, Legal, Strategic Planning and Governance and Infrastructure Planning and Management.
Deirdre is a Fellow of the Institute of Chartered Accountants with a background in commercial finance and fulfils the role of Arts Centre Melbourne’s Chief Financial Officer. She has held senior finance roles in Melbourne and overseas, including Executive Director Finance of Alfred Health and Chief Financial Officer of BUPA Australia.
Deirdre is also a Director of Peter MacCallum Cancer Centre and until April 2018 was a member of Cancer Council Victoria’s Finance, Risk Management, Audit and Compliance Committee.
Leanne leads our Human Resources team and supports the delivery of Arts Centre Melbourne’s strategic goals through workforce planning, industrial and employee relations, change management, succession planning, professional development and talent management, wellbeing, diversity and HR operations.
Leanne has held senior roles in federal and state government agencies including the Fair Work Commission and the Department of Premier and Cabinet, Victoria. Leanne joined Arts Centre Melbourne after working at Benetas, one of Victoria’s leading not-for-profit providers of aged care and retirement living. Leanne also has a broader interest in governance and community and is currently President of a not-for-profit education and support services organisation.
Fiona is responsible for strategic and government relationships and advocacy.
She has held senior advisory positions to a Federal Arts Minister and the Australia Council for the Arts, as well as working at the Australian Embassy Tokyo in public diplomacy. After returning to Melbourne, Fiona took up a position as Director of Planning and Development with Circus Oz, along with being a staff-elected board representative for two years.
Melanie leads the Programming, Presenter Services, Production, Collections and Asian Arts program teams to develop and deliver the Performing Arts Strategy and Business Plan.
Melanie was previously the Deputy Director and Head of Programming for Auckland Live, New Zealand’s largest performing arts centre, comprising Aotea Centre, Civic Theatre, Auckland Town Hall, Bruce Mason Centre, Aotea Square. In this role Melanie was responsible for developing Arts Programmes and the Commercial Theatre Business plan and negotiating commercial contracts for Auckland Stadiums for non-sporting events. Melanie is also an Executive Councillor on the Live Performance Australia Executive Council, the national peak body formed to ensure the long term sustainability of the Australian live performance industry.
Beau is responsible for all customer-focused areas, leading our Ticketing and Visitor Experience, Marketing and Communications, and Food and Beverage teams.
Beau is new to the Executive team, but by no means new to Arts Centre Melbourne. Beau started as a casual Usher in early 2002 and through years of learning and leadership growth was most recently our Director, Ticketing and Visitor Experience from 2015 to 2018. Beau is dedicated to customer-focused transformation to deliver an enhanced audience experience and ensuring that our team places customer service at the heart of everything we do.
Richard leads our Philanthropy team and is responsible for growing philanthropic support for Art Centre Melbourne’s access, education, commissions and collections programs, all of which are enabled through the generosity of donors.
With a strong background in film and performing arts, Richard’s first foray into not-for-profit fundraising occurred when, as Director of Management Enterprises Ltd, an entrepreneurial arts marketing company he co-founded in New Zealand, he mounted a successful rock concert called “Rain Aid”, with all proceeds going to provide relief for flood victims.
Since moving to Melbourne in 1990 Richard has continued to work extensively in marketing and fundraising for the film, arts and health sectors. He has headed up successful philanthropy programs at The Australian Film Institute, The Australian Ballet School, Jewish Care, the Australian Centre for the Moving Image, Bush Heritage Australia and the Royal Children’s Hospital Foundation.
Richard is a longstanding member of the Fundraising Institute Australia and, outside of his professional work, is actively involved in supporting arts, philanthropy and education. Since 2006 he has been the Chairman of not-for-profit arts company Tashmadada, which aims to support, nurture and engage in contemporary performing arts practices.